It’s been a surprisingly busy time here for the last few months, despite Covid. As usual, I am spreading myself thinner than a bungee rope at full stretch, albeit with considerably less bounce. Consequently, I have rather neglected this blog and the posts I had been planning to write. However, as part of the United Inkdom revival, I have found myself with a Kaweco Supra to play with and so here is my review. Continue reading “Super Supra”
It has been a tough couple of months under lockdown., though there are aspects I don’t mind at all. I’m generally quite happy pottering about at home and have more than enough to occupy me. At this time of year, however, I should be off trading at Historic Fairs virtually every weekend. Unfortunately, pretty much everything has now been cancelled for the rest of the season. I am not going to see my fellow traders and friends,. The loss of my main income stream has been a huge blow. I even miss camping out, particularly since the weather has been so wonderful. I do have a small amount of work coming in, but it isn’t enough to compensate. All this is enough to get even the most stoic soul down.
With the current confusion as to which day it is*, you might be forgiven for wondering if Christmas has come around again early with the release of Diamine’s Inkvent Blue Edition inks. These were first issued as limited edition 10ml bottles in Diamine’s 2019 Inkvent calendar and proved such a hit that all 25 inks have now been re-released in a very funky 50ml glass bottle. Continue reading “Advent Again?”
I was recently persuaded that I should sell some of my existing art works. I have succumbed to pressure and decided to print some A6 cards and mounted prints, which will be available for purchase at events and direct from myself. I have also set up a Redbubble shop to broaden the product range carrying the images. It’s all very exciting – seeing one’s work on everything from t-shirts and clocks to duvet covers and bath mats.
The Fountain Pen UK group (FPUK) recently commissioned a couple of purple inks from Diamine. After a number of rounds of polling on colour, then specific sample variant, it became apparent that just one of the purples would not be enough. Thus, once the final naming poll was complete, two purples went into production and Scribble Purple and Monboddo’s Hat were born. Continue reading “Too Many Purples?”
My whim purchase of the Delike Alpha arrived this morning from China. I chose the pretty mid blue (“Noble Blue”) aluminium pen and I was intrigued enough to buy it with the EF “bent” nib. Since the nib units just screw in, it seemed rude not to try a couple of other nib options as well, so I also bought standard EF and F nibs. The whole lot set me back around £20 and even comes in a nice tobacco-sized tin, just like the Kaweco Sport it is copying.
What makes a good pen? Well, it isn’t necessarily the price tag. Some of my favourite pens cost me less than £5. My Yongsheng 016, for example, is a lovely little pen – slim, pretty, metal-bodied, with a surprisingly good fine hooded nib and is a very good writer for the £2 and some pence that it cost. Of course, at that price, I have no qualms at all about filling it with shimmer or sheen inks, though just because it was cheap, does not make me value it less or treat it carelessly. Continue reading “Cheap As Chips”
Today’s review features the Italix Chaplain’s Tankard. Italix is a brand of pens with a predominantly clerical theme, made exclusively for Mr Pen, a London-based retailer. As an owner of their Deacon’s Doodle, (a favourite of mine), I can attest to their quality.
The Chaplain’s Tankard is a fairly ordinary looking black lacquer pen with gold trim. This is in no way a detriment, unless you happen to like your pens with more bling than Liberace. It has a pleasingly simple and stylish quality that is lacking in many more expensive pens (and, indeed, Liberace). It comes in a compact black cardboard box, which is all the packaging that is needed for a pen IMO. (Don’t get me started on the space taken up by unnecessarily large and fancy pen boxes!)
After a flying start to December’s Inkvent calendar, things rather ran away with me and it was all I could do to keep up with just swatching the inks each day*. Consequently, the posts on here rather dried up and the review I should have undertaken also fell by the wayside. Anyway, setting the excuses aside, I have now had a chance to have a play with the Lamy Aion, albeit a brief one, for the purposes of this review.
Well, you can’t expect a post every day!
I didn’t get around to Sunday’s ink, Pelikan Edelstein Aventurine, until quite late and then had a bit of a near miss as I tried to fill a pen that already had Cornflower blue ink in it. I don’t think I adulterated the sample as it’s still a nice deep green, but if you are familiar with the ink and it looks wrong, please let me know.